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No. 4 (2025): South Ukrainian Art Studios
No. 4 (2025): South Ukrainian Art Studios
DOI:
https://doi.org/10.24195/artstudies.2025-4
Published:
2025-12-22
Full Issue
Завантажити номер одним файлом (Українська)
SECTION 1. CURRENT ISSUES OF ART PEDAGOGY
Musical beauty and aesthetic values in early education: the teacher – student relationship in action research
Mirosław Kisiel
7-14
PDF
Educational communication between a teacher and a student in the process of professional development of a music performer
Vladyslav Fedorovych Kniaziev
15-19
PDF (Українська)
Formation of reflective competence of future music teachers in the process of professional and pedagogical training
Yevheniia Sergiivna Kolesnikova
20-24
PDF (Українська)
The essence and structure of future arts educators’ vocal-pedagogical self-development
Лю Чжиго, Halyna Yuriivna Nikolai
25-31
PDF
Pedagogical conditions for forming the stage-performing competence of a future artist-soloist-instrumentalist in the process of piano training
Bohdan Vasylovych Malinovskyi
32-39
PDF (Українська)
Structural and constructive aspect of the artistic-imagery thesaurus of future piano teachers
Feng Shichao
40-48
PDF (Українська)
Decolonial approach to countering Russian cultural expansion and the appropriation of Ukrainian artistic heritage in higher art education
Hanna Yuriivna Chemerys, Mykola Volodymyrovych Kardashov
49-54
PDF (Українська)
Development of musical and creative abilities of schoolchildren as a modern pedagogical problem
Чжен Сянцзінь
55-59
PDF (Українська)
SECTION 2. MODERN STUDIES IN ART AREA
To the issues of methodology for studying the conductor’s individuality
Oleksandr Petrovych Vila-Botsman
60-66
PDF (Українська)
Voice as a tool of identity: anthropological dimension of academic singing
Viktoriya Oleksandrivna Gigolayeva-Yurchenko
67-71
PDF (Українська)
Sound production and sound conducting as the basis of the guitarist’s artistic technique
Anatolii Serhiiovych Kovalenko
72-76
PDF (Українська)
Light of view (on the example of Prelude and Fugue in G-flat major No. 13 from the cycle “24 preludes and fugues” by V. Zaderatsky)
Natalіa Viktorivna Makarova
77-83
PDF (Українська)
Ukrainian space for scientific, creative, musicological and pedagogical activities of Olexandra Stepanska
Tetiana Volodymyrivna Martyniuk
84-92
PDF (Українська)
The creativity of leading church conductors in the context of the protestant choir movement in the Kyiv region at the end of the 20th century and the first quarter of the 21st century
Olga Hryhorivna Pryvalova
93-100
PDF (Українська)
Transformation of solfeggio teaching methods in the conditions of digitalization of music educatio
Marina Volodymyrivna Rusiyaieva
101-107
PDF (Українська)
Cultural and artistic potential of the Podillian priestly family: scientific reflection on the memories of Nina Dray-Khmara
Олександра Степанська
108-116
PDF (Українська)
Thematic factor in the development of the Ukrainian musical: social aspects in content composite
Daryna Andriivna Suprunova
117-122
PDF (Українська)
Choral scenes in the specific activities of the A. V. Nezhdanova Odesa National Academy of Music Opera Studio
Oleksandr Oleksiiovych Filippov
123-128
PDF (Українська)
Between Sound and Image: Ingarden’s Ontological Analysis of Musical and Film Works
Joanna Cieślik-Klauza
129-139
PDF (Українська)
Timbral models of national instruments of Guizhou province in chamber piano works of Chinese composers
Zeng Xiaoxuan
140-144
PDF (Українська)
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