No. 2 (2024): South Ukrainian Art Studios

DOI: https://doi.org/10.24195/artstudies.2024-2

Published: 2024-09-11

Full Issue

Завантажити номер одним файлом (Українська)

SECTION 1. CURRENT ISSUES OF ART PEDAGOGY

To the questions of the Broadway musicals actors roles types in the context of the K. G. Jungs psychological models

Natalia Evgenievna Arkhipova

7-10
- PDF (Українська)
Musical stylistic competence pupils of art schools: essence of the concept

Nataliia Vitaliivna Ashykhmina, Wang Xin

11-14
- PDF (Українська)
Preparation of future bachelors of musical art for the formation of musical and aesthetic culture of schoolchildren

Wang Jiabin

15-20
- PDF (Українська)
Methodology of research and formation of textural and style performance skills of the student pianist

Wang Chen, Olena Yevhenivna Rebrova

21-27
- PDF (Українська)
The issue of future specialists’ preparedness for organizing musical and creative activities for children in an inclusive educational environment

Zakhar Suleimanovych Dubovyi

28-33
- PDF (Українська)
Historical and cultural foundations of the development of accordion estrada performance

Vladyslav Fedorovych Kniaziev, Nazar Olehovych Kostiv

34-38
- PDF (Українська)
Genesis of music education in Poland and Ukraine: historical optics

Iryna Valentynivna Kolchenko

39-45
- PDF (Українська)
Step-by-step methodological support for the culture of performance phrasing in the process of learning to play wind instruments

Li Ran

46-51
- PDF (Українська)
Current issues of physical training of cadets of higher educational institutions of the MIA of Ukraine with specific learning conditions

Andriy Viktorovych Melnikov, Victor Oleksandrovych Shinkaruk, Nazar Mishchenko

52-56
- PDF (Українська)
Fundamental aspects of the discipline “ethics and aesthetics in contemporary art” for students of fine arts

Nataliia Viktorivna Menderetska

57-61
- PDF (Українська)
Methodological principles formation of artistic and creative competence of students in music lessons

Olena Sergiievna Ovcharenko-Peshkova

62-66
- PDF (Українська)
Development of creative independence in students of artistic and pedagogical specialties

Olena Pavlivna Spasskova

67-70
- PDF (Українська)
Innovative forms and methods for developing compositional competence of future dance teachers based on contemporary dance

Arsenia Andriivna Terzi

71-76
- PDF (Українська)
The phenomenon of historically informed performance in the teachers training process

Kostiantyn Tomnytskyi

77-84
- PDF (Українська)
The specifics of vocal and professional training of Chinese students – future bachelors of musical arts

Hanna Anatoliivna Usova

85-90
- PDF (Українська)
Methodical support for forming artistic and analytical skills of future musical art teachers in the process of playing wind instruments

Chi Xinyu

91-96
- PDF (Українська)
Artistic and creative loyality of younger schoolchildren by means of national song and choreographic folklore as a cultural problem

Yulia Volodymyrivna Yakuba

97-102
- PDF (Українська)
Pedagogical conditions and methods of forming the intercultural competence of future vocal teachers according to the genre-style approach

Yan Peng

103-108
- PDF (Українська)

SECTION 2. MODERN STUDIES IN ART AREA

Peculiarities of the early romantic sonata form on the example of K. M. Weber

Gao Qingwen

109-114
- PDF (Українська)
Topos of death in rhetoric of partes concerts

Nataliia Vasylivna Kliuchynska

115-120
- PDF (Українська)
Guitar master class as an effective form of knowledge update in the process of training instrumental musicians

Anatolii Serhiiovych Kovalenko

121-125
- PDF (Українська)
The art of vocal improvisation as a cultural and style phenomenon

Natalya Georgiivna Koehn

126-131
- PDF (Українська)
Ukrainian musical of the 21st century: interpretation of the genre on the example of the musical by Odesa authors “Queen Olga”

Anzhelyka Anatoliivna Tatarnikova, Denys Yuriyovych Rudyi

132-136
- PDF (Українська)
“In memoriam”: vision of the composer by V. Sylvestrov and M. Popov

Taras Vasylovych Khmilyuk, Svitlana Anatoliivna Shchitova

137-140
- PDF (Українська)
Cycle “34 preludes and fugues” by V. Bibik: interpretive and performing aspects

Liutsiia Ihorivna Tsyhaniuk

141-151
- PDF (Українська)
XV–XVI centuries – the birth of the trombone as an ensemble and orchestral instrument

Zhou Yixiong

152-156
- PDF (Українська)
The Historically informed musical work interpretation (HIP) in a semiotic aspect

Sergiy Vasylovych Shyp

157-167
- PDF (Українська)
Music of Lyudkevych in arrangements for piano four hands and two pianos

Natalia Bogdanivna Zubko

168-172
- PDF (Українська)

SECTION 3. THEORY AND PRACTICE OF VISUAL ARTS

Production in modern creative industries in the context of visual arts development

Serhii Viktorovych Matyash

173-177
- PDF
Feelings and intuition as means of fine art

Andrii Mykhailovych Nykyforov

178-183
- PDF (Українська)
Plein air in painting by Konstantin Lomikin: transformation of the image from “direct impression” to “indirect artistic transformation”

Anna Ivanivna Nosenko

184-193
- PDF (Українська)
Masters of plein air painting in Odesa: Viktor Zhurakovkyi (1928–2001), Pavlo Makedonskyi (1967)

Olga Andreyevna Tarasenko

194-198
- PDF (Українська)

No. 2 (2024): South Ukrainian Art Studios

Full Issue

SECTION 1. CURRENT ISSUES OF ART PEDAGOGY

To the questions of the Broadway musicals actors roles types in the context of the K. G. Jungs psychological models

Musical stylistic competence pupils of art schools: essence of the concept

Preparation of future bachelors of musical art for the formation of musical and aesthetic culture of schoolchildren

Methodology of research and formation of textural and style performance skills of the student pianist

The issue of future specialists’ preparedness for organizing musical and creative activities for children in an inclusive educational environment

Historical and cultural foundations of the development of accordion estrada performance

Genesis of music education in Poland and Ukraine: historical optics

Step-by-step methodological support for the culture of performance phrasing in the process of learning to play wind instruments

Current issues of physical training of cadets of higher educational institutions of the MIA of Ukraine with specific learning conditions

Fundamental aspects of the discipline “ethics and aesthetics in contemporary art” for students of fine arts

Methodological principles formation of artistic and creative competence of students in music lessons

Development of creative independence in students of artistic and pedagogical specialties

Innovative forms and methods for developing compositional competence of future dance teachers based on contemporary dance

The phenomenon of historically informed performance in the teachers training process

The specifics of vocal and professional training of Chinese students – future bachelors of musical arts

Methodical support for forming artistic and analytical skills of future musical art teachers in the process of playing wind instruments

Artistic and creative loyality of younger schoolchildren by means of national song and choreographic folklore as a cultural problem

Pedagogical conditions and methods of forming the intercultural competence of future vocal teachers according to the genre-style approach

SECTION 2. MODERN STUDIES IN ART AREA

Peculiarities of the early romantic sonata form on the example of K. M. Weber

Topos of death in rhetoric of partes concerts

Guitar master class as an effective form of knowledge update in the process of training instrumental musicians

The art of vocal improvisation as a cultural and style phenomenon

Ukrainian musical of the 21st century: interpretation of the genre on the example of the musical by Odesa authors “Queen Olga”

“In memoriam”: vision of the composer by V. Sylvestrov and M. Popov

Cycle “34 preludes and fugues” by V. Bibik: interpretive and performing aspects

XV–XVI centuries – the birth of the trombone as an ensemble and orchestral instrument

The Historically informed musical work interpretation (HIP) in a semiotic aspect

Music of Lyudkevych in arrangements for piano four hands and two pianos

SECTION 3. THEORY AND PRACTICE OF VISUAL ARTS

Production in modern creative industries in the context of visual arts development

Feelings and intuition as means of fine art

Plein air in painting by Konstantin Lomikin: transformation of the image from “direct impression” to “indirect artistic transformation”

Masters of plein air painting in Odesa: Viktor Zhurakovkyi (1928–2001), Pavlo Makedonskyi (1967)

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